|Photo of Tünde Wehli, taken at the celebration of her 70th birthday, 2013|
It is with sadness that I report on the passing of art historian Tünde Wehli, on November 18, 2019, in the 76th year of her life. Tünde Wehli had been a long-time senior researcher at the Institute of Art History of the Hungarian Academy of Sciences, starting her career there in 1970. Dr. Wehli was a scholar of medieval art, primarily manuscript illumination, and had published groundbreaking studies ranging from the 12th century Admont Bible (the subject of her dissertation) to the Bibliotheca Corviniana. She is particularly well-known for her research on medieval patronage of manuscripts, and she also participated in the work of the Fragmenta Codicum research group of the National Széchényi Library. She also published extensively on other subjects, including Romanesque art, iconography, Hungarian royal monuments abroad as well as on seals and armorial charters. Perhaps most widely accessible is her small book on medieval Spanish painting (Painting in Medieval Spain, 1980), which was published in at least five languages. She participated in the preparation of a number of exhibitions organized by the Institute of Art History – most notably the exhibitions on King Louis the Great (1982) and Emperor Sigismund (1987). You can have a look at the list of her publications in the Kubikat catalogue. Many of her publications can be found in the digital publication archive of the Institute of Art History.
Dr. Wehli was a very kind, helpful colleague. Although I only worked with her during my brief tenure at the Institute 25 years ago, she has followed my progress with great interest over the years and was always ready to help with advice or literature. As a teacher – participating in the art history program at Pázmány Péter Catholic University – she was also greatly admired. It is no wonder that she was celebrated with a hefty Festschrift – published as a special volume of the journal Ars Hungarica – on her 70th birthday in 2013 (you can read it online here). She will be remembered fondly by her students and colleagues and will be greatly missed. May she rest in peace.
|Office of the Dead, Book of Hours, Flemish, about 1450–1455 (J.P. Getty Museum, Ms. 2)|