Multiple Realities of Abstract Art at the Southeast Queens Biennial


In the universe developed by the 2022 Southeast Queens Biennial, summary artwork invited viewers to interact their imaginations and to consider the numerous realities conveyed by the seven taking part artists as a result of their distinct visible languages.

Curated by artist Rejin Leys, the show, titled Formations, introduced artwork by Jean Foos, Vandana Jain, Jeanne Heifetz, Anton Kerkula, José Carlos Casado, Carl E. Hazlewood, and Dominant Dansby at the York Higher education Good Arts Gallery and the King Manor Museum.

“We selected to concentrate on abstraction to open up up room for the creativity, and to emphasize how a materials or a process can push an complete venture,” Leys claimed about the biennial’s 3rd iteration, which not long ago closed just after extending its run by means of April 29.

José Carlos Casado, still left: “sacrifice.vHeadWar” (2013), archival inkjet print on canvas, acrylic and oil paint, plastic sculptures, polyurethane appropriate: “sacrifice.vMeat” 
(2013), archival inkjet print on canvas, acrylic and oil paint, plastic sculptures, mirror PVC (picture Carmen Graciela Díaz/Hyperallergic)

As Leys observed, the similarities that emerged between the unique artworks were in particular apparent at the York’s gallery. 

José Carlos Casado employs digital technologies and media to produce installations and sculptures, amongst other artworks. His method is exemplified by “sacrifice.vMeat” (2013), in which a mirror’s reflection provides to brain a psychedelic alternate actuality. 

In his sequence R3-visi0n3D, Anton Kerkula also will make use of know-how, in this circumstance to renovate his architectural pictures into surrealistic illustrations or photos that obstacle viewers to rethink the logic of architectural constructions.

Dominant Dansby, “Interlude of manufactured beliefs or mannerism” (2015), pastel, colour pencil, graphite, paper, wooden (courtesy York College or university Fine Arts Gallery)

Dominant Dansby’s abstract grids are inspired by the energy and improvisation of jazz. The collaged grids of parts like “Interlude of made ideals or mannerism” (2015) examine textures and proportions and showcase the significance Dansby provides to the idea of the creative course of action.  

In Carl E. Hazlewood’s artist assertion, he describes his intention to make “things that tend to be ephemeral in reaction to the house and the surfaces of the site.” The biennial showcases his “BlackHead Anansi Web” (2022), an summary collage composed of natural and organic sorts and diaphanous traces.

Jeanne Heifetz, “Pre-Occupied 72” (2017), graphite on flax paper tinted with iron oxide (courtesy York University High-quality Arts Gallery)

In her collection Pre-Occupied, Jeanne Heifetz faces her worry of loss of life and provides layered drawings dependent on the maps of various Jewish cemeteries, which includes the kinds wherever her family members are buried.

Jean Foos and Vandana Jain accumulate and renovate discarded supplies, creating photographs that advise rituals. Foos’s tower-like sculpture “Convulsive Splendor in the Fur Teacup Bar” (2022) evokes a totem, even though Jain’s performs present a burst of power, elevating common objects, such as a broom or rope, into putting artwork objects to create pieces like “Love Is Love” (2020).

A poetic perception of materials unites the show’s artists, as properly as the stories and concepts they specific. 

José Carlos Casado, “Hetty is B/W (1816)” (2022), personalized-made tablecloth (image Carmen Graciela Díaz/Hyperallergic)

“One thing that I realized, searching at the clearly show and installing it … is that while the pieces are different in the processes and the items that the artists are contemplating, there is a continuity in phrases of how they method elements,” observed Nicholas Fraser, York Higher education High-quality Arts Gallery’s director.

At the King Manor Museum, the modern artworks established a provocative, and almost transgressive, dialogue with the historic construction. 

Like its preceding editions, the biennial served as a geographical and cultural bridge between artwork and its encompassing Southeast Queens neighborhood. “The biennial was started to deliver much more visual arts cultural programming to Southeast Queens, and to carry a lot more visibility to our artists and venues,” Leys explained.

In Formations, the curator’s aspiration for the local community to expertise and be challenged by the get the job done of varied artists was achieved, supplying new normally takes on abstract art and its symbolic energy.

Vandana Jain, “Love Is Like,” (2020), cotton, acrylic and t-shirt yarn, jute and plastic twine, orange rope, pretend pine garland, holographic skeleton torso, faux fur, plastic rope, plastic bag, couched wool roving, sequins, content birthday banner, orange tubing, pink easter grass, acrylic white ribbon, plastic flowers, broom (courtesy York Higher education Fantastic Arts Gallery)
Anton Kerkula, “R3-VisioOn 3D sequence Making 5” (2018), electronic photograph on lustre picture paper (photograph Carmen Graciela Díaz/Hyperallergic)
Vandana Jain, “Khatta Meetha” (2021), mixed media and “Thrum Bones” (2021), stitching table, organza “bones” stuffed with studio squander (courtesy York Faculty Fantastic Arts Gallery)
Jean Foos, detail of “The Ballad of Mary Alsop King” (2022), acrylic on paper packing sorts (courtesy York College Great Arts Gallery)
José Carlos Casado, “Thawing Embryo III” (2016), aluminum, clay, wooden, polyurethane, paint and uncovered objects (courtesy York University Good Arts Gallery)
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